Haute Couture as a work protected by copyright

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dc.contributor.authorKoutsopoulou, Elenien
dc.date.accessioned2017-05-05T07:16:58Zen
dc.date.available2017-05-09T00:00:22Z
dc.date.issued2017-05-05en
dc.identifier.urihttps://repository.ihu.edu.gr//xmlui/handle/11544/15287en
dc.rightsDefault Licenseen
dc.subjectCopyrighten
dc.subjectHaute Coutureen
dc.subjectFashion designen
dc.subject3D-printingen
dc.titleHaute Couture as a work protected by copyrighten
heal.abstractThis dissertation was written as part of the MA in Art, Law and Economy at the International Hellenic University. The research is focused on application of Copyright on haute couture creations due to their specificity. Being the art of supreme technical mastery and virtuoso execution that is illustrated on the haute couture apparel. Thus, the haute couture products are more close to the concept of art in comparison to the prêt-à-porter apparel where attention is put on their utilitarian status and their lack of originality. When haute couture products embody the element of originality, Copyright law is applicable as they depict the artistic talent of designer and their uniqueness not only in the shape but also in the construction. Therefore, for applying Copyright law it should be examined whether haute couture products fall within the definition of works, as defined and indicatively referred to the Copyright laws in Europe and the U.S.A. and the research is focused on Copyright Law and on examining the different approaches in several legal systems in Europe and U.S.A. In Europe, the protection of haute couture apparel is closer to Copyright law, compared to US law which is closer to trademark, trade dress and industrial design. Finally, it is examined whether introduction of 3D-printing in the area of haute couture affects the application of Copyright law, as well as if there is a need for amending the existing provisions, so as to deal with the challenges of the new technologies in this business area. Keywords: haute couture, prêt-à-porter, fashion design, 3D-printing, copyright.en
heal.academicPublisherIHUen
heal.academicPublisherIDihuen
heal.accessfreeen_US
heal.advisorNameWeber, Marcen
heal.bibliographicCitationEleni Koutsopoulou, Haute Couture as a work protected by copyright, School of Economics, Business Administration and Legal Studies, International Hellenic University, 2017en
heal.classificationLawen
heal.classificationCopyrighten
heal.classificationFashion Designen
heal.committeeMemberNameWeber, Marcen
heal.committeeMemberNameChrysanthis, Christosen
heal.committeeMemberNameStamatoudi, Irinien
heal.contributorID.dhareIDe.koutsopoulouen
heal.contributorNameKoutsopoulou, Elenien
heal.creatorID.emailkoutsopoulou@outlook.comen
heal.keywordURI.LCSHCopyrighten
heal.keywordURI.LCSHFashion design--Law and legislationen
heal.keywordURI.LCSHFashion--Law and legislationen
heal.keywordURI.LCSHClothing and dress--Law and legislationen
heal.keywordURI.LCSHThree-dimensional printingen
heal.languageenen
heal.licensehttp://creativecommons.org/licenses/by-nc/4.0en
heal.numberOfPages58en
heal.publicationDate2017-05-04en
heal.recordProviderSchool of Economics, Business Administration and Legal Studies, MA in Art, Law and Economyen
heal.tableOfContentsABSTRACT I PREFACE II CONTENTS III INTRODUCTION 4 I. HAUTE COUTURE 6 1. HAUTE COUTURE IN FASHION HISTORY 6 2. HAUTE COUTURE VS PRET-A-PORTER 10 3. HAUTE COUTURE AS A WORK OF ART 12 II. INTELLECTUAL PROPERTY LAW AND FASHION INDUSTRY 16 1. INTRODUCTION [COPYRIGHT, PATENTS, INDUSTRIAL DESIGN, TRADEMARKS] 16 2. COPYRIGHT PROTECTION OF HAUTE COUTURE 18 A. Europe 20 B. U.S.A. 31 3. COMPARISON IN APPROACH 39 III. HAUTE COUTURE’S FUTURE: 3D-PRINTING 42 CONCLUSION 47 BIBLIOGRAPHY 50en
heal.typemasterThesisen

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